White Oleander is an extremely thought provoking movie that demonstrates several examples of psychological principals. Astrid Magnussen is a 15 year-old girl living in California with her mother Ingrid. After murdering her boyfriend, Ingrid is sent to prison for life, leaving Astrid to go through several foster homes. In the process, she experiences religion, violence, drugs, suicide, and ultimately how it feels to be loved. In this analysis, I have chosen to focus on conformity and Erikson’s theory of development as Astrid journeys into adulthood.
Erikson’s theory of development proposes eight psychosocial stages of development. Each stage represents a developmental task or crisis that a person must negotiate. Each stage is a turning point with two opposing possible outcomes: greater personal competence or greater weakness and vulnerability. In the movie, Astrid is in the “identity versus identity confusion stage”( King 121). In this stage individuals are faced with finding who they are and where they are going in life. The exploration of careers and alternative solutions to roles are important dimensions. Astrid illustrates this in the final scene (2:20) in the movie. She states, “I couldn't understand the beginning until I had reached the end” (White Oleander). Throughout the entire movie, she struggles to find her own identity and what her purpose for life is outside of what her mother wants her to be. She finally convinces her mother to “let her go,” and she moves to New York with her boyfriend to be an artist. Although she knows that a piece of her is always going to be with her mother, she has explored life and decides to move on and follow her passion.
King, L. (2008). The science of psychology: An appreciative view.Boston: McGraw-Hill.
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